Marty Schnapf's captivating solo exhibition, 'Vignettes,' at Perrotin Hong Kong, features a new collection of vibrant, kaleidoscopic paintings. These artworks skillfully navigate the space between concrete forms and imaginative dissolution, pulling elements from the artist's dreams, deep-seated memories, and universally recognized symbols. Each canvas serves as a gateway to hidden dimensions, where human figures fluidly merge with their surroundings, undergoing transformations and refractions. A prominent theme weaving through the collection is water, appearing both as a literal element and a profound symbolic representation of the subconscious. Pieces such as 'Memory Pool' and 'The Pull of the Moon, the Draw of the Shore' depict ethereal beings interacting with aquatic life or battling tumultuous waves, emphasizing the profound connection to the unconscious mind.
Throughout this exhibition, Schnapf employs diverse painting techniques that create a fascinating dialogue between tangible textures and optical illusions. In 'River Crossing,' for instance, a male figure is depicted in a complex, contorted pose, enveloped by deep blue strokes that emulate the dynamic motion of water. Smaller yet equally compelling works, including 'Forager' and 'Pensione 3 a.m.,' delve into the artist's psychological and internal landscapes. These pieces utilize distorted perspectives and visual anomalies to hint at deeper, metaphysical connections. The vignettes are replete with allegorical symbols—such as a soaring hawk, an enigmatic mask, or a submerged city square—forming a rich, coded visual language that encourages personal interpretation from each observer.
For Schnapf, the initial abstract layers are fundamental, establishing a 'primordial vitality' within the artwork. This foundational spontaneity allows narrative and form to emerge and evolve, much like life itself. In pieces such as 'Forager,' deliberate 'glitches' are incorporated to enhance visual tension. These visual disruptions represent a journey through various artistic cycles—from abstract beginnings to re-abstracted representations—culminating in new understandings. The artist views these "glitches" not as flaws, but as transformative moments that reveal new perspectives and multiple coexisting manifestations within a single image.
Water holds a multifaceted significance in Schnapf's artistic practice, serving as both a literal subject and a powerful metaphor. The artist notes water's remarkable versatility in painting, capable of conveying opacity, transparency, reflectivity, and fluidity. This inherent ambiguity makes water a potent symbol for the subconscious mind—something universally experienced yet difficult to fully grasp. Schnapf is fascinated by this interplay of 'knowing and not knowing,' finding profound authenticity in these nebulous states of perception.
Schnapf's assertion that 'distortion can be more beautiful than clarity' reflects a philosophy that extends beyond his art into life itself. This idea originated from observing the impact of distortion in modern music within a highly mediated world. The artist perceives distortion as an authentic, raw element that breaks through polished surfaces, revealing an 'unbound truth.' Rather than resisting unexpected outcomes or imperfections, Schnapf prefers to engage with them, integrating these elements to enrich the final composition, both in his art and in personal experiences.
The artist believes that autobiographical experiences and archetypal symbols are not separate but deeply interconnected. Schnapf emphasizes that he never uses symbols arbitrarily; instead, universal archetypes organically arise from a keen observation of lived reality. This approach allows his work to tap into a 'shared self' that incorporates collective experiences, leading to imagery that transcends narrow personal reflection and resonates on a deeper, more universal level.
Schnapf's background in performance and contemporary dance significantly informs his painting process, particularly in conveying a strong sense of movement and gesture. While painting does not literally move through space, its elements can be depicted at the precipice of action, allowing viewers to infer the passage of time. Beyond mere motion, Schnapf draws inspiration from the profound 'embodiment' seen in master dancers. This powerful presence is translated into his works through brushstrokes and painted forms, which evoke complex emotional narratives and create a dynamic interplay between different gestures within a single composition.
This exhibition marks Schnapf's debut solo show in Hong Kong, a city he explored for the first time in preparation for the collection. Previously familiar with the region primarily through the cinematic lens of Wong Kar-wai, especially 'Chung King Express,' the artist revisited these films to absorb Hong Kong's essence. While initially anticipating an atmospheric influence, Schnapf found a deeper, more thematic connection: the potent role of chance in altering life's trajectory and the human capacity to weave meaning and 'poetry' into these unforeseen shifts.