Parisian architecture is renowned for its intricate details, and among its most charming yet often overlooked elements are the caryatids and atlantids. These sculpted figures, serving as pillars, have graced the facades of private residences since the 17th century, their popularity reaching its zenith during the Second Empire. They represent a fascinating blend of artistic expression and structural necessity, transforming ordinary buildings into extraordinary works of art.
Featured in Agnes Varda's compelling short film, Les Dites Cariatides (1984), a magnificent stone angel presides over a 19th-century apartment building at 57 Rue de Turbigo. This celestial being, with her expansive wings and tranquil demeanor, is recognized as one of Paris's most substantial caryatids. Erected in 1860 by architect Eugène Demangeat, her graceful form, with a flowing tunic and gracefully flattened wings, elegantly softens the sharp angles of the Haussmannian edifice, integrating seamlessly into its design.
The conceptual genesis of this enigmatic stone angel can be traced to Emile-Auguste Delange, a visionary young architect. His initial design envisioned a similar angelic figure adorning a lighthouse, guiding mariners through perilous waters. This innovative concept captured the imagination of César Daly, a prominent architectural theorist and publisher. Although the lighthouse project never materialized, Daly's endorsement and publication of Delange's work laid the groundwork for the angel's eventual manifestation in stone on Demangeat's building, a testament to the power of ideas finding their form.
For over a century and a half, this remarkable angelic figure has stood as a silent sentinel on Rue de Turbigo. Her presence continues to captivate onlookers, embodying a profound blend of artistic mastery and historical significance. The stone angel remains a cherished and truly awe-inspiring work of art, contributing to the unique and enchanting streetscape of the French capital.